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Peggy Fears (June 1, 1903 - August 24, 1994) was an American actress, who appeared in Broadway musical comedies during the 1920s and 1930s before becoming a Broadway producer. ==Theater== Leaving New Orleans at the age of 16, she attended the Semple School. Yale University student Jock Whitney took her to the Richman Club where vocalist Helen Morgan heard her singing and encouraged her to attend auditions being conducted by Florenz Ziegfeld. Beginning with ''Have a Heart'' (1917). Fears performed in ten Broadway productions, including the ''Ziegfeld Follies of 1925''. In Ziegfeld's ''No Foolin'' (1926) she appeared with Edna Leedom and the Yacht Club Boys plus a chorus line with Paulette Goddard, Susan Fleming, Clare Luce and Baby Vogt. By 1932, with ''Child of Manhattan'' (written by Preston Sturges), Fears became a Broadway producer. Her only motion picture appearance is the role of Gaby Aimee in ''The Lottery Lover'' (1935). In 1971, Louise Brooks, a former lesbian lover to Fears by her own account, wrote for ''Sight & Sound'' about meeting Peggy Fears and W.C. Fields in 1925: :The fifth floor dressing-room lost its exclusive atmosphere when Peggy Fears, who had also transferred from ''Louie the 14th'' to the ''Follies'', decided to become my best friend. She was a darling girl, with a sweet singing voice, from Dallas, Texas. Her smooth chestnut-coloured hair was untouched by dyes or permanent waves. Instead of the expensive gowns of a ''Follies'' girl, she wore schoolgirl sweaters and skirts. Perhaps it was her whimsical sense of fun that attracted her to me. And what could be more fun than Peggy, the most popular girl in the show, becoming friends with its most abominated member--me? One night she crashed our dressing-room carrying a Wedgwood teapot full of corn whiskey and, knowing my literary pretensions, two disgustingly vulgar magazines, ''Broadway Brevities'' and the ''Police Gazette''. A week later we were living together in the Gladstone Hotel off Park Avenue, where swarmed Peggy's friends until September when she went on tour with the ''Follies'' and I went into ''The American Venus'' at Paramount's Long Island studio. :It was through Peggy Fears that I came to know Bill Fields. Before the matinée, at the Rosary Florist, she would select a bouquet to be wrapped in waxed paper and presented to Bill in his dressing-room. It touched his heart. Bill adored beautiful girls, but few were invited to his dressing-room. He was morbidly sensitive about the skin disease which inflamed his nose and sometimes erupted on his hands, making it necessary for him to learn to juggle wearing gloves. After several devastating experiences with beautiful girls he had decided to restrict his choice of girl friends to those less attractive whom he would not find adrift with saxophone players. :Bill entertained Peggy and me with distinction. His bar was an open wardrobe trunk fitted with shelves, planted, as if it were an objet d'art, beside his chair. While Shorty, the silent dwarf who was his valet and assistant on the stage, went about preparing our drinks, Peggy and I would dance around Bill who sat at his make-up shelf, listening to our nonsense with gracious attention. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Peggy Fears」の詳細全文を読む スポンサード リンク
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